-
A handheld telephoto lens with 24x zoom and a focal length of 7.5-180 mm, this lens integrates beautifully with a UHD workflow and offers standard 4K performance with enhanced operability, perfect for over-the-shoulder news gathering. 4K optical performance: The lens boasts standard 4K resolution power. Canon's unique optical design enables extraordinary levels of detail. Compact and lightweight: Designed for documentary and news gathering, the lens gives cameramen the flexibility to cover even the most challenging situations. Enhanced image correction: The lens features BT.2020-based correction data. This enables excellent colour reproduction at the corners of the screen when connected to a 4K camera. -
Canon KJ20x8.2B KRSD 8.2-164mm HDgc Zoom Lens ENG, 8.2-164mm lens for 2/3" format camcorders, Shuttle Shot Zoom Pre-archiving function, 20x zoom ratio, Fast f/1.9 maximum aperture at 8.2-164mm, 1 second maximum speed, minimised chromatic aberrations, multi-layer optical coatings, silent servo zoom, fast, extraordinary dispersion glass -
- Maximum Aperture: 1:3.6 at 9~72mm (2.0x) 1:4.7 at 100mm (2.0x)
- Type: Wide Angle
- Mount: Canon
- Focal Length: 4.5mm-50mm
-
Combining BirdDog's custom NDI silicon chip, 20x optical zoom, 16x digital zoom and a Sony backlit sensor, the black BirdDog Eyes P120 is a full-featured 1080p60 NDI PTZ camera designed for large indoor spaces. With fast autofocus and zoom, the P120 is suitable for capturing all the fast action at venues such as sporting events, but also works well as a boardroom camera. The P120 features the full visual lossless NDI variable bit rate up to 1080p60. -
Spectacular 4K quality accessible to all The HDC-3200 system camera offers exceptional 4K image quality and incredible versatility that makes it suitable for any live production. Sharing many operational features with Sony's acclaimed HDC series cameras, the HDC-3200 features a high-sensitivity 4K 3CMOS sensor with unique shutter technology to deliver brilliant image quality with extremely low noise levels, even in dimly lit studios. -
A new benchmark for creative flexibility The HDC-3500 system camera introduces new levels of image quality, portability and creative flexibility for live production environments. Experience superb 4K/HD/HDR image quality and anticipate tomorrow's production needs while maintaining full compatibility with current workflows and system hardware. Unlimited imaging power Capture premium images with the world's first 2/3-inch 4K CMOS sensor with unique shutter technology, which eliminates 'jello effect' and noise bands. This enables the HDC-3500 to capture sharp 4K high resolution images (2000 TVL), ultra-low noise (-62 dB), exceptional sensitivity (F10 at 1080/59.94P or F11 at 1080/50p) and wide dynamic range, achieving the extended colour space of the ITU-R BT.2020 broadcast standard. It is coupled with a specially developed LSI digital signal processor, which takes full advantage of the extraordinary imaging power of this new sensor. -
Video Input Digital 4x 3G-SDI, SMPTE-292/296/424, 10-bit (12-bit input supported) 4x Fiber LC*, 3G-SDI, SMPTE-297, 10-bit 4K/UltraHD 4:2:2 or 4:4:4 (4x BNC or Fiber LC*) Dual Link 4:2:2, 4:4:4 (2x BNC or Fiber LC*) Single Link 4:2:2, 4:4:4 (1x BNC or Fiber LC*) 1x HDMI standard type A connector HDMI v2.0 YCbCr, 4:2:0 only at 4K/UltraHD 50, 59.94, 60 HDMI v1.4b, RGB or YCbCr Video Formats (4K) 4096 x 2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 (4K) 4096 x 2160PsF 23.98, 24, 25, 29.97* (UltraHD) 3840 x 2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 (UltraHD) 3840 x 2160PsF 23.98, 24, 25, 29.97* (2K) 2048 x 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 (HD) 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60 (HD) 1080i 50, 59.94, 60 (HD) 1080PsF 23.98, 24, 25**, 29.97** (HD) 720p 50, 59.94, 60 -
The new ATEM Television Studio Pro 4K provides the same advantages as the HD models plus Ultra HD compatibility and more SDI inputs. With 8 independent 12G-SDI inputs you work with all common HD and Ultra HD formats up to 2160p60. Each input offers frame synchronisation and a low-latency standard converter that automatically transforms the input according to the switcher format. So you can connect eight inputs with eight different formats! The new Fairlight audio mixer includes dynamics, 6-band parametric EQ, channel splitting into two mono channels, and stereo simulator with audio delay on analogue inputs. ATEM Television Studio Pro 4K also boasts ATEM Advanced Chroma Keyer, multiview Ultra HD, and media archive clip support. -
Blackmagic Duplicator 4K is two recorders in one. Equipped with 25 slots, it records simultaneously to all inserted SD cards, or to one card at a time for longer recordings. In duplication mode, you get up to 25 copies in H.264 and H.265 ready for distribution at the end of the event. Sales opportunities are plentiful, e.g. to fans after a concert, to participants at a conference, or to parents at the end of a school play. In sequential recording mode, Blackmagic Duplicator 4K performs long duration recordings on one SD card at a time, down to the last. With 25 cards, you can record for weeks at a time without having to replace them. In overwriting mode, however, recording continues indefinitely, overwriting previously filled cards, an ideal mode for video surveillance and live programme archiving. -
Full-frame creativity. Realise beautiful 4K imagery with the creative freedom made possible by oversampling a huge high resolution full-frame sensor. Capture every detail from the scene with shallow depth of field and stunning bokeh with a truly cinematic look. 15+ stops of dynamic range and Dual Base ISO enable capture of every nuance, from subtle shadow detail to specular highlights and with an immaculate colour palette. Capturing the impossible. Make sure your story’s always clear with enhanced Fast Hybrid AF that tracks your subject with unprecedented speed, smoothness and precision. Its impact is transformative for premium documentary, commercials and event applications. Your ability to precisely capture your subject’s expression is further enhanced with Sony’s unique Eye AF.
-
SMARTONE cart is made for film industry professionals who value time, quality and work comfort. This mobile and easy-to-use solution allows you to carry and organize on-set equipment you need. High durability components and brakes system provides performance and safety. Have the compact and lightweight SMARTONE always at your hand or compact car where fits perfectly.
-
The Magewell Pro Convert NDI to SDI can be used to convert an NDI stream with embedded audio into an SDI signal. You can use this converter to connect basic tape equipment to other IP-based media networks, it supports full bandwidth NDI and highly efficient NDI HX modes