AKG

  • The dynamic professional D112 MkII bass drum has a new integrated flexible support, while keeping all the strengths that have made its predecessor an industry standard. Over the years, the D112 has earned a well-deserved reputation as one of the best bass drum mics ever made, due to its ability to handle high SPL, incisive EQ and bullet-proof construction. The D112 MkII is able to handle more than 160dB of SPL without distortion. Its wide diaphragm has a very low resonance frequency which offers a solid and powerful response below 100Hz. The low end is completed by a 4 kHz Boost that passes through dense mixes and high volume stages with a strong impact. One of the many reasons why artists and sound engineers love the D112 MkII is that it does not require an additional EQ to get the right sound. To further refine its performance, the D112 MkII features an integrated buzz compensation coil that keeps noise to a minimum.

    Main features

    • Frequency band: 20Hz-17kHz
    • Sensitivity: 1.8 mV / Pa
    • Electrical impedance: 210 Ohm
    • Recommended load impedance: 2000Ohm
    • Polar diagram: Cardioid
    • Audio output: XLR M, 3-pole balanced
    • Dimensions: 115 x H126 x D70mm
    • Weight: 0.300kg
  • AKG-C451B

    20.00
    Using an extremely clear diaphragm, the C451 B is almost completely insensitive to noise. Other features include a full metal body for excellent RF interference protection and high reliability for exhilarating results in all circumstances. The C451 B is an excellent microphone for shooting drums, percussion instruments, acoustic guitars or for environmental miking.

    Main features

    • Polar Diagram: Cardioid
    • Frequency response: 20Hz - 20kHz
    • Sensitivity: 9 mV / Pa (-41 dBV)
    • SPL max: 135/145/155 dB
    • S / N ratio (A-weighted): 76dB
    • Pad: 10 dB, 20 dB
    • High pass filter: 12 dB / Octave at 75Hz and 100Hz
    • Power supply: Phantom 9V - 52V
    • Dimensions: D19 x 160mm
    • Weight: 125g
  • From the leading broadcast facilities world-wide to the recording studios and the performance stages that have hosted the top musical artists of all genres for more than 60 years, the AKG C414 large Diaphragm Condenser Microphone needs little introduction. There are few microphones that are as widely considered a de facto part of any professional engineer's mic locker as this famous microphone. Part of what has maintained the C414 as an industry standard has been its impressive versatility, and AKG has pushed the envelope again with the addition of the C414 XLS to this famous line.

    Features:

    • Omni, wide cardioid, cardioid, hypercardioid, figure eight, and four intermediate pickup patterns
    • Lock Mode disables all controls easily for live and installation use
    • Incredible Dynamic Range of 152 dB
    • Three different bass cut filters and three pre-attenuation levels
    • Peak Hold LED detects even shortest overload peaks
    • Includes carrying case, pop filter, windscreen, and spider-type shock mount
    • Frequency range: 20 to 20 000 Hz
    • Sensitivity: 20 mV/Pa (-34 dBV) +/- 0.5 dB
    • Max. SPL: 200/400/800/1600 Pa = 140/146/152/158 dB (0/-6/-12/-18 dB) for 0.5% THD
    • Equivalent noise level: 6 dB-A (0 dB preattenuation) (IEC 60268-4)
    • Signal/noise ratio: 88 dB
    • Preattenuation pad: 0 dB, -6 dB, -12 dB, -18 dB, switchable
    • Bass cut filter slope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 Hz
    • Impedance: <=200 ohms
    • Recommended load impedance: >= 2,200 ohms
    • Powering: approximately 4 mA
    • Connector: 3-pin XLR to IEC
    • Dimensions: 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.)
    • Net weight: 300g (10.6oz.)
    • Requires +48V phantom power