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Shure SM58S Dynamic Vocal Microphone with Switch
The Shure SM58 unidirectional (cardioid) dynamic vocal microphone is designed for professional vocal use in live performance, sound reinforcement, and studio recording. A highly effective, built-in, spherical filter minimizes wind and breath "pop" noise. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. The SM58 has a tailored vocal response for a sound which is a world standard. Rugged construction, a proven shock mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently. Outdoors or indoors, singing or speech, the SM58 is the overwhelming choice of professionals.

Features:

Shure SM58® Frequency response tailored for vocals, with brightened midrange and bass rolloff

Uniform cardioid pickup pattern isolates the main sound source and minimizes background noise

Pneumatic shock-mount system cuts down handling noise

Effective, built-in spherical wind and pop filter

Supplied with break-resistant stand adapter which rotates 180 degrees

Lengendary Shure quality, ruggedness and reliability

Cardioid (unidirectional) dynamic

Frequency response: 50 to 15,000 Hz
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Shure Beta 57
The Shure BETA®57A is a high output supercardioid dynamic microphone designed for professional sound reinforcement and project studio recording. It maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off–axis tone coloration. Excellent for acoustic and electric instruments as well as for vocals, the extremely versatile Beta 57A dynamic microphone provides optimal warmth and presence. Typical applications include drums, guitar amplifiers, brass, woodwinds and vocals.

Features

Tailored frequency response provides drums, guitars, vocals, and horns with studio quality sound

Uniform supercardioid pattern for high gain-before-feedback and superior rejection of off–axis sound

Hardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse

Neodymium magnet for high signal–to–noise ratio output

Minimally affected by varying load impedance

Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration

Legendary Shure quality and reliability
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NEUMAN KK205

The legendary Neumann sound for the Professional Wireless Range. Full, transparent sound of the award-winning KMS 105, with super-cardioid pickup pattern that delivers superior feedback rejection. The KK 204 and KK 205 capsule heads were developed especially for the Sennheiser SKM 2000 system as well as the Digital 9000 series. Particular importance has been placed on further damping of pop sounds and handling noise, an extremely low level of self-noise, and ease of servicing. Both capsule heads have integrated foam pop protection. The foam pores have a greatly increased surface area and can keep extreme moisture away from the capsule.

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IN-EAR monitor 500 TX Sennheiser

Intended for monitoring stereo audio signals in professional applications such as stage or broadcasting, this range consists of a static transmitter and mobile diversity receiver, both built in metal enclosures. The system has a frequency-bank system with up to 16 compatible pre-set frequencies. The bandwidth is 42MHz, offering 1680 tunable UHF frequencies. An HDX compander is used to increase dynamic range, pilot-tone squelch avoids RF interference when the transmitter is turned off. Easy set-up uses the receiver to perform an automatic frequency scan to search for available frequencies. Settings may be transferred between the receiver and transmitter in either direction using infra-red communication. The transmitter may be connected to an Ethernet network for configuration of multi-channel systems using software. Transmitter and receiver are available separately or together as a complete system. Different models are available, in several UHF ranges; each offers 26 frequency banks with up to 16 channels. Each of the channels in the first 20 frequency banks are pre-set at the factory to fixed frequencies. The channels within each bank can be used without intermodulation. The remaining banks allow the user to select and store frequencies.

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